Queen Elizabeth I Of England - 1040 Words

Elizabeth sat in her bedroom in the Buckingham palace brushing her long, curly, red hair which was stained with strands of gray. She focused on the mirror and softly stared at the freckles on her pale skin, which looked as if it needed to be ironed, and her dark brown eyes that looked like a black hole against her pale complexion. The year was 1587, Elizabeth had gone through so much to be here. Oh, my mistake, I should probably refer to her by her formal name. The Elizabeth of this daring story full of anger and spite is none other than Queen Elizabeth I of England. To tell the full story though, we must travel back some 50 years to when Elizabeth was only 3 years old. The year is 1536, her mother, Anne Boleyn, has failed to produce a†¦show more content†¦The year is 1553, after some long and confusing years of switching between rulers, Queen Mary I, also known as Bloody Mary, came into power. Mary was the first child of King Henry VIII (Elizabeth s father if you forgot) bu t King Henry changed the religion of the country from Catholic to Protestant just so that he could divorce Mary s mother. After the divorce, Mary was declared illegitimate, same as Elizabeth. After some rather confusing years in England s history, Mary rose to power and claimed the throne in 1553 as what the Catholics believed to be the rightful heir of the throne. Here is why she has the nickname â€Å"Bloody Mary.† She reversed the religion of England from Protestant back to Catholic and then she burned over 280 religious dissenters at the stake in the Marian persecutions in only a short 5 year reign. The year is 1558, Elizabeth came into power after her sister, Mary died. But the rode to keeping the title of queen will not be easy. Elizabeth made the country back into Protestant, which many resented her for. More than just religion, Elizabeth refused to marry, and soon became known as the â€Å"Virgin Queen†. This provided another conflict for Elizabeth, many believ ed a woman was unfit to rule a country and wanted another ruler. But, her biggest conflict was with her cousin, Mary Stuart, Queen of Scots, who just so happened to be Catholic. Here, let me explain to you why these two woman are perfect arch enemies. Of course

Analysis Of The Movie Charlie Hebdo - 1296 Words

The Charlie Hebdo Case This incident is concerning the French magazine entitled, â€Å"Charlie Hebdo†. The magazines they publish are satirical in nature and generally have an anti -religious or secular undertone, mocking many religions through its artwork and the words of the magazine itself. Recently, on January 7th of this year, brothers of an Islamic extremist regime shot and killed 11 members of the magazine and a French policeman. Further, an additional 11 members of the magazine were injured. The message of â€Å"je suis Charlie† which, translated from French means â€Å"I am Charlie† became a world wide statement used in rallies and in social media to show solidarity with those killed essentially expressing their agreement with the magazine’s right to exist and the importance of freedom of expression. Section 2(b) applies to this case because it grants the freedom of thought, believe, opinion, expression and freedom of the press to all Canadian C itizens. The reason the Islaimic Extremists chose to shoot and kill members of the Charlie Hebdo magazine is because they (the extremists) believed that their religion (Islam ) was being depicted in a way not allowed by their faith and that it was ridiculed and disrespected. Charlie Hebdo exercised freedom of expression though their depiction of various religions in their artwork and the messages the magazine contained and they exercised freedom of the press by publishing their views. I believe that in this particular case section 2

Baz Luhrmanns Act 1 Scene 5 of Romeo and Juliet Essay Example For Students

Baz Luhrmanns Act 1 Scene 5 of Romeo and Juliet Essay Baz Luhrmanns version of Act 1 Scene 5 of Romeo and Juliet explores various themes of love, conflict and feuds. Luhrmann uses many techniques in his own style of directing, such as different types of camera work, editing and the soundtrack, similarly to Moulin Rouge which is also directed by Luhrmann, to convey the characters and atmosphere in this timeless classic. My essay will analyse these directing techniques by looking at the pros and cons in that scene, making is easier to determine which techniques express the different characters and moods in a particular way. The various techniques Luhrmann uses in his version, like lighting and ambient colours, give the viewer a frenzied atmosphere. Throughout the scene we see tense and tranquil moments which Luhrmann uses to relate to the situations in which Romeo and Juliet are in. Right at the beginning, when Romeo enters the party, the camera movement is very slow and unsteady. We see close shots of Romeos face when he shows his invitation card to the man at the entrance. Here we get a clear picture of his expressions which helps the viewer keep up with his emotions or moods as they change. Baz Luhrmann uses eye-line matching, still while the camera is tilting from one event to another, to indicate that Romeo is not in his normal state of mind because he is blinking his eyes in a disorientated manner. Later on when he mentions in a quiet tone The drugs are quick, reaffirms this and suggests hes in his own world. Luhrmann is using the costumes the characters are wearing to reflect on their character and roles that they are shown to take up. At the opening of the party we see Romeo dressed up as a knight. Romeo is symbolising the knight in shining armour at the party to rescue Juliet, the damsel in distress, from her controlled and constrained lifestyle at the Capulet household. The audience soon begin to realise that if they were to meet, this could spark of arguments between the two houses which underlines the theme of conflict and family feuds. Also still while Romeo is entering the party, the camera slow cuts on spinning fireworks high up on the mansion wall. Luhrmann is using the swirling fireworks on the wall to symbolise Romeos mind-state or emotions. The audience could get the impression here that Romeo is emotionally spinning out of control from his current love relationship. In reality most of the audience know Romeo will eventually meet Juliet and fall in love with her at first site. The fact that they cannot be together allows the audience to sympathise with Romeo because this helps them relate to themselves and are expecting to see a weaker side of him. Luhrmann shows Mercutio coming to the party hyper and uses slow motion to help the audience focus on him and things around him even more. The guns surrounding him dont necessarily portray him as having a violent nature but suggest that violence and danger revolves around him no matter if he likes it or not because hes in a position and status of power. Again in here the theme of conflict is brought up. As Romeo is looking around in a dazed behaviour, he sees Tybalt but Tybalt doesnt notice him. The medium high angle shot on Tybalt can symbolise him lowering himself and his dignity by his actions and his evil personality depicted throughout the film. Tybalts devil costume highlights this aspect about him even further and already puts across a bad impression of him to the audience watching. In the first quarter of scene 5, while Mercutio is singing Kim Mazzelles Young Hearts Run Free, we see Luhrmann frequently using slow cuts to focus the audiences attention and concentration on words spoken or visual props which could reflect on characters in the scene or the mood/s. This brings the audiences awareness of what Mercutio is singing young hearts run free. To yourself be true, dont be no fool. Luhrmann has cleverly used these lyrics to reflect of the love of Romeo and Juliet and their relationship to come which acts as a hint to Romeo try get passed any obstacles for love, even if it involves death. The first time Romeo and Juliet meet. Their costumes echo their positions in life and their relationship because despite being dressed as a knight he is still human and Juliet is dressed as an angel who is out of his reach. Beowulf and Grendel - Book and Film EssayThe camera watching from far could imply its something dangerous and wants to keep its distance from whatever Tybalt will or is thinking of doing. A good way Baz Luhrmann conveys Capulets power is when Capulet is holding Tybalt as if hes in control of him and would not tolerate rebellion against him. Baz Luhrmann uses a low angle shot when showing Capulet scolding Tybalt and having Capulet above the camera signifies he is an important and powerful person because it is as if the audience is looking up at someone superior. Capulet being upstairs where there is no one could symbolise a higher place like heaven where powerful people watch you from there. Tybalt getting enraged over Romeo suggests that he is disrupting that solemnity and peace that you are meant to have in heaven. This shows Capulets position and status as someone with authority and has power over everything, which could be why is dressed as Caesar. Capulet affirms his authority over Tybalt by looking him straight in the eyes to make sure he realises that he is serious and doesnt to be double crossed by someone he sees inferior. This conveys Capulets character as someone who has good control over a situation because he can be serious when he finds appropriate and knows he needs to be welcoming throughout the party to keep his guests pleased. In this particular moment Luhrmann uses both high and low angles to convey the different positions or statuses that Romeo and Juliet are in. Romeo is down looking up at the princess or gazing at the stars which he cannot get, this is already a tragedy because he was meant to be the knight in shining armour there to get the princess. Juliet is like the cursed beauty that has to marry someone who her parents want. Lady Capulet who leads Paris, Juliets intended marriage and Juliet upstairs. The costume Paris is wearing, an astronauts suit, symbolises him as also out of this world and someone who is meant to be up there with Juliet. This introduces a new theme of Fate which goes against Romeo and Juliets love all throughout the film. Luhrmann uses medium shot eye-line matching while Romeo and Juliet have eventually found out who their real identities are and realise the reality dawning on them. This is seen as the beginning and the end of the whole relationship. This event helps the viewers feel more sympathetic towards Romeo and Juliet because so far both Romeo and Juliets characters are seen as pure and loving. While Juliet is dancing with Paris after being taken away from Romeo by the nurse, she is constantly looking at Romeo and he is also admiring her. This is shown by the eye-line matching. The eye-line matching is done in fast cuts which continually indicate their desire for each other because they dont want to lose sight of each other. This shows their love-stricken feelings and emphasises their love to the viewer. The soundtrack in the background is Desree singing Im kissing you while Romeo and Juliet are repeatedly looking at each other, the mood in here is romantic and every time the viewer hears those lyrics, the audience notices that RJ are looking at each implying that is what theyre thinking of. Throughout this incident of RJ finding out each others identities. Luhrmann uses slow cuts and the camera movement is also slow. This technique intensifies the moment and gives impact to the audiences reactions because by now weve established that the audience have sympathy for RJ. Overall, this film has successfully used various types of method to convey different character, themes and moods by using a great number of directing techniques with Baz Luhrmanns own style. Luhrmann has used all of the Act 1 Scene 5s aspects to create tension and suspense for the audience in different ways. On the whole, Baz Luhrmanns version of Act 1 Scene 5 has shown and proven that the film has more to it than it seems and viewers need to read between the lines to understand the full meaning and message of the film.

First world war poetry free essay sample

First world war poetry 39 faris-slm Web definitions A war poet iS a poet written at that time and on the subject of war. This term, at the beginning applied especially to those in military service during World War I. then, documented as early as IS4B in reference to German revolutionary poet, Georg Herwegh The main figures in the first world war Siegfried Sassoon (1886-1967)-1 Siegfried Sassoon was perhaps the most innocent of the war poets. John Hildebdle has called Sassoon the accidental hero. Born Into a wealthy Jewish family In 1886, Sassoon lived the pastoral life of a young squire: fox-hunting, playing cricket, golfing nd writing romantic verses. Being an Innocent, Sassoons reaction to the realities of the war were all the more bitter and vlolent both his reaction Trough his poetry and his reaction on the battlefield (after the death ot fellow officer David Thomas and has brother Hamo at Gallipoli). Sassoon sadness, he believed that the Germans were entirely to blame. Sassoon showed innocence by gong public to protest against the war. Luckily. his friend and fellow poet Robert Graves convinced the review board that Sassoon was suffering from shell-shock and he was sent instead to the military ospital at Craig Lockhart where he met and influenced Wilfred Owen. Sassoon is a key figure in the study of the poetry of the Great War: he brought with him to the war the ideal pastoral background. he began by writing war poetry reminiscent of Rupert Brooke. he wrote with such war poets as Robert Graves and Edmund Blunden. e spoke out publicly against the war. he spent thirty years reflecting on the war through his memoirs, and at last he found peace in his religious faith. Some critics found his later poetry lacking in comparison to his war poems. How to Die Dark clouds are smouldering into red While down the Craters morning burns The dying soldier shifts his head TO watch the glory that returns He lifts his fingers toward the skies Where holy brightness b reaks in name: Radiance reflected in his eyes, And on his lips a whispered name. Youd think, to hear some people talk, That lads go West with sobs and curses, And sullen faces white as chalk, Hankering for wreaths and tombs and hearses. But theyve been taught the way to do it Like Christian soldiers: not with haste And shuddering groans: but passing through it With due regard for decent taste. From the age of nineteen Owen wanted to be a poet and immersed himself in poetry, eing especially impressed by Keats and Shelley. He wrote almost no poetry of importance until he saw action in France in 1917. He was deeply attached to his mother to whom most of his 664 letters are addressed. (She saved everyone. ) He was a committed Christian and became lay assistant to the vicar of Dunsden near Reading 1911-1913 teaching Bible classes and leading prayer meetings as well as visiting parishioners and helping in other ways. He escaped bullets until the last week of the war, but he saw a good deal of front-line action: he was blown up, concussed and suffered shell-shock. At Craig Lockhart, the psychiatric hospital in Edinburgh, he met Siegfried Sassoon who inspired him to develop his war poetry. He was sent back to the trenches in September, 1918 and in October won the Military Cross. by seizing a German machine-gun and using it to kill a number of Germans. On 4th November he was shot and killed near the village of Ors. The news of his death reached his parents home as the Armistice bells were ringing on 11 November. Wilfred Owen is the greatest writer of war poetry in the English language. He wrote out of his intense personal experience as a soldier and wrote with matchless power of the physical, moral and psychological impact of the First World War. All of his great war poems about his reputation rests were written only in a fifteen months. Anthem for Doomed Youth BY WILFRED OWEN What passing-bells for these who die as cattle? Only the monstrous anger of the guns. Only the stuttering rifles rapid rattle Can patter out their hasty orisons. No mockeries now for them; no prayers nor bells, Nor any voice of mourning save the choirs,† The shrill, demented choirs of wailing shells; And bugles calling for them from sad shires. What candles may be held to speed them all? Not in the hands of boys, but in their eyes Shall shine the holy glimmers of good-byes. The pallor of girls brows shall be their pall; Their flowers the tenderness of patient minds, And each slow dusk a drawing-down of blinds In England For the first time, am essential number of important English poets were soldiers, writing about their experiences of war. A number of them died on the battlefield, most famously Rupert Brooke, Edward Thomas, and Wilfred Owen. Siegfried Sassoon survived but were scarred by their experiences, and this was reflected in their poetry. Wilfred Gibson (1878-1962) -3 Wilfred Wilson Gibson was born in Hexham, England in 1878. Gibson worked for a time as a social worker in Londons East End. He published his first verse in 1902, Mountain Lovers. He had several poems included in various Georgian poetry 1910. After the outbreak of war, Gibson served as a private in the infantry on the Western Front. It was therefore from the perspective of the ordinary soldier that Gibson wrote his war poetry. His active service was brief, but his poetry contradict his lack of experience, Breakfast being a prime example of ironic war verse written during the very early stages of the conflict following the armistice, Gibson continued riting poetry and plays. His work was particularly concerned with the poverty of industrial workers and village workers. Back They ask me where Ive been, And what Ive done and seen. But what can I reply Who know it wasnt l, But someone Just like me, Who went across the sea And with my head and hands Killed men in foreign lands Though I must bear the blame, Because he bore my name. str Herbert Read (1893-1968) -4 the poet and critic, was born in France, Yorkshire in 1893 His college studies, at Leeds University, were interrupted by the outbreak of the First World War, in which he served with the Yorkshire Regiment in France and Belgium. During his service he was awarded the Distinguished Service Order (DSO) and Military Cross in the same year, 1918. Read wrote two volumes of poetry based upon his war experiences: Songs of Chaos (1915) and Naked Warriors, published in 1919, along with two volumes of autobiography, In Retreat (1925) and Ambush (1930). He became an outspoken pacifist during the Second World War. He continued to publish poetry for the remainder of his life, his final volume, Collected Poems, being published in 1966. As a literary critic he championed the 19th-century English Romantic authors, for example in The True Voice of Feeling Studies in English Romantic Poetry . Ernest Hemingway -5 Ernest Hemingway, the son of Clarence Edmonds Hemingway, a doctor, was was born in Oak Park, Illinois, on 21st July, 1899. His mother, Grace Hall Hemingway, was a music teacher but had always wanted to be an opera singer. According to Carlos Baker, the author of Ernest Hemingway: A Life Story (1969), he began writing stories as a child: Ernest loved to dramatize everything, continuing his boyhood habit of aking up stories in which he was invariably the swashbuckling hero. When the United States entered the First World War in 1917 Hemingway attempted to sign up for the army but was rejected because of a defective eye. He therefore Joined the Red Cross as an ambulance driver. He later wrote: One becomes so accustomed to all the dead being men that the sight of a dead woman is quite shocking. I first saw inversion of the usual sex of the dead after the explosion of a munition factory which had been situated in the countryside near Milan. We drove to the scene of the disaster in trucks along poplar-shaded roads. Arriving where the munition plant had been, some of us were put to patrolling about those large stocks of munitions which which had gotten into the grass of an adjacent field, which task being concluded, we were ordered to search the immediate vicinity and surrounding fields for bodies. We found and carried to an improvised mortuary a good number of these and I must admit, frankly, the shock it was to find that those dead were women rather than men. A Farewell to Arms (1929), Hemingways great novel set against the background of the war in Italy, and eclipses the poetry dealing with his war-time experiences.